The Creative Flow: Presetpro’s Complete Lightroom Preset & Profile Collection

Open a roll of film and you get one look, locked in before you ever load the camera. Open The Creative Flow and you get the opposite: every look Presetpro makes, and the freedom to run any of them through any other. That’s not a bigger box of presets. It’s a different way of editing.

The Creative Flow | Quick Facts

What it is	Presetpro’s complete preset and profile system for Lightroom
What’s inside	1,200+ presets, 1,200+ profiles, and 200 brushes across 16 style collections, the full film emulation library, Lab Tools, and Signature
Price	$139, one-time purchase
Works with	Lightroom Classic and Lightroom CC

The Creative Flow is Presetpro’s complete Lightroom system, every style collection, the full film stock emulation library, and the Lab Tools AI grain engine in one purchase, built so any preset mixes with any profile instead of locking you into a single fixed look.

What You Only Get in the Creative Flow

Two of the three things below are Creative Flow exclusives, full stop. The third — Chroma — ships with the standalone Film Emulation collection too. What’s exclusive to the Creative Flow is what happens once Chroma meets everything else Presetpro makes.

The Creative Flow | Presetpro.com

 

Lab Tools: Grain That Actually Behaves Like Film

Most “film grain” presets do one trick, no matter what they claim to simulate — a texture overlay, slapped on, identical at every setting. Real film doesn’t work that way. Push the ISO from 100 to 3200, and you’re not just adding noise. The grain structure changes, and so does how the film handles a blown-out sky or a bright window. Lab Tools models that instead of faking it: a full ISO ramp of grain and highlight-rolloff behavior, plus AI-assisted local masks, Sky, Highlights, Background, Diffusion, Smoothing — so the effect lands where real film would actually show it, not smeared evenly across the frame.

I built Lab Tools because every grain preset I’d tried did the same thing regardless of what ISO it claimed to be. That’s backward. ISO 3200 and ISO 100 barely read as the same medium, and faking that properly meant modeling the ramp, not overlaying one texture and calling it done.

Signature: The Lightest Touch

Ninety-plus presets, and every single one is a tone curve, no baked-in color grade, no profile swap, along for the ride. If your white balance and color are already where you want them, and all you need is a tonal finish with more snap through the midtones and a softer roll into the highlights, Signature does exactly that and nothing else. It’s built for photographers who want a hand on the contrast, not a whole new look layered over their work.

Chroma: Mix Any Preset With Any Profile

Most preset packs give you a fixed result: apply the preset, get the look, that’s the ceiling. Chroma breaks that ceiling. Buy the Film Emulation collection and you already get Chroma paired with the film stocks — a KDK Portra 160 preset run through the Chroma 35mm profile, say. FE actually ships with a handful of these combos pre-built, specifically so you can see how the pairing works before you start building your own.

The Creative Flow takes the same Chroma profiles and turns them loose on everything else Presetpro makes — Moody’s mood with one Chroma profile sitting underneath it, Wedding’s warmth with a completely different one. That’s the version nobody else sells. Not the profiles themselves — how much you can point them at.

The Style Collections

Sixteen collections, each built around a specific feeling. Buy any one on its own starting at $29, or get all sixteen — plus everything above — in the Creative Flow.

Life & People

• Portrait — Soft skin tones and a warmth that doesn’t compete with the person in the frame. Built for sessions where the face is the whole story.
• Wedding — The look for the day that can’t be reshot. Forgiving skin tones that hold up through every lighting change, from getting-ready light to reception strobes.
• Lifestyle — Candid, unposed warmth for the moments people don’t know you’re photographing yet. Nothing about it looks staged.
• Bright — Airy, light, a little overexposed on purpose. For photos that should feel like a window with the curtains open.

Place & Light

• Landscape — Big skies and color that doesn’t oversaturate past the moment you were actually standing in.
• Cityscape — Concrete, neon, and the specific grit of a street at the wrong time of day to look pretty and the right time to look real.
• Nightscape — Built for the hours after the light’s gone: window glow, streetlight color casts, the parts of a city that only exist once the sun’s down.
• Adventure — Rugged and a little sun-bleached, for the trips that involved actual dirt under the fingernails.
• Extreme — High-contrast conditions: glacier light, desert glare, the environments that blow out a normal exposure without a fight.
• Stargazer — Deep blacks and a Milky Way that actually shows up, without the color noise most night-sky edits end up fighting.

Mood & Story

• Moody — Deep shadows and a color palette that feels like weather. Presetpro’s biggest collection, and the one people ask for by name.
• Cinematic — A color grade, not a filter. The kind of restrained, teal-leaning contrast that makes a still frame look like it came from a movie worth watching.
• Hollywood — Studio-polish glamour, built for shots that should look like they had a lighting team even when they didn’t.
• Vintage — Faded blacks and a little color drift — the specific imperfection of a photo that’s spent thirty years in a shoebox.
• Film Roll — The all-purpose analog look. Not chasing one specific stock, just the general honesty of film over digital.
• Matte — Lifted blacks and flattened contrast — the modern desaturated look that’s become its own genre.

The Film Stock Library

If the collections above are built around mood, this is built around specific, real film — the Kodak, Fuji, Agfa, and Polaroid emulations, modeled stock by stock instead of one generic “film” filter standing in for all of them.

Kodak. Portra 160 is the one most portrait and wedding photographers reach for first — low contrast and the natural skin tones Portra built its whole reputation on. Kodachrome 64 chases the reds and the punchy, honest color that made Kodachrome a legend before Kodak discontinued it in 2009. Ektachrome 64 is built around the cooler, slide-film character Kodak brought back from discontinuation in 2018 after photographers wouldn’t let it go.

Fuji. Pro 160 & Velvia pairs a gentle portrait stock with Velvia’s famously saturated landscape color in one pack. Superia & Astia leans softer — everyday color on one side, muted portrait tones on the other.

Agfa. Optima & Ultra brings in a color character Kodak and Fuji don’t have — distinctly different the moment you apply it.

Polaroid and black and white round out the full library, available inside the Film Emulation collection — every stock above, plus Polaroid’s instant-film color and a dedicated black-and-white set, in one $89 purchase.

Every stock above is also sold individually starting at $12.99 if you already know which one you want, or get all of them plus the Chroma profiles in the $89 Film Emulation collection. The Creative Flow includes everything here — and the freedom to run Chroma against all 16 style collections above, not just the film stocks.

Get the Creative Flow

Sixteen style collections. The full Kodak, Fuji, Agfa, and Polaroid emulation library. Lab Tools, Signature, and Chroma, none of which exist anywhere else. One purchase, $139.

FAQs

Q: What’s the difference between the Creative Flow and buying one collection?

A: A single collection gives you one look, built one way. The Creative Flow gives you all 16 style collections, the full film stock library, and Lab Tools plus Signature — two things that exist nowhere else. It also lets you run Chroma against all 16 collections, not just the film stocks Chroma ships with in the standalone Film Emulation pack.

Q: Is the Creative Flow available for Capture One?

A: No — the Creative Flow is built specifically for Lightroom. If you shoot in Capture One, Presetpro’s separate Capture One Complete Collection ($99, around 980 presets and styles) covers a similar range of collections, built for Capture One specifically.

Q: Can I really mix any preset with any profile?

A: Yes — that’s the whole point of the Chroma system. Apply a preset for the mood, then swap in any profile from the collection for the color underneath it. The combinations aren’t fixed.

Q: What’s new in the latest version?

A: Lab Tools — the AI grain and ISO system — shipped in May 2026, with the Chroma profile series close behind it. If you bought the Creative Flow before then, both are worth a fresh look.

Film stock names mentioned above — including Kodak, Kodachrome, Portra, Ektachrome, Fujifilm, Velvia, Agfa, and Polaroid — are trademarks of their respective owners and are used here to describe the look each preset is built to emulate. Presetpro is not affiliated with or endorsed by any film manufacturer. Adobe, Lightroom, and Photoshop are trademarks of Adobe Inc. Capture One is a trademark of Capture One A/S.