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RAW Series A100F | Astia 100F Film Inspired Lightroom Presets & Profiles

RAW Series A100F film canister with a blue, white and green label: Astia 100F inspired Lightroom presets and DCP camera profiles for Lightroom Classic

RAW Series · Inspired by Fujifilm Astia 100F

RAW Series A100F | Astia 100F Inspired Presets & Profiles for Lightroom

The look is the look, on any supported camera.

Film emulation built the way camera makers build film simulations: the color is computed for your exact camera.

Inspired by Fujichrome Astia 100F, the professional color reversal film Fujifilm built for skin: the softest tones and most subdued colors in the Fujichrome line, gradation that stays continuous from the highlights down into the shadows, exceptionally fine grain at RMS granularity 7, finer than Provia 100F by Fujifilm’s own measure, and the color fidelity that made it the stock for fashion and portraiture. It is also the first slide film in the RAW Series; the other four stocks are color negatives. Most film presets apply one recipe on top of whatever profile your camera happens to load, so the same look renders differently on every body. A100F is different: it ships a camera profile built individually for each of 753 camera models, every one verified against the same master rendering.

Choose from 24 looks: 6 RAW looks that render through your camera’s own profile, and 18 universal looks that work on every RAW and JPEG image with an Amount slider from 0 to 200. Then finish with the 64-tool LAB: film fades, grain by ISO, vignettes, and print-style finishing.

In this collection
06
RAW DCP looks
18
Universal looks
753
Camera models
64
LAB tools
753 camera profiles across 10 brands: one built individually for every camera model.

What’s included

RAW Series A100F
  • Looks24 film looks: 6 RAW DCP looks and 18 universal profiles, every look with its matching preset.
  • CamerasCamera profiles individually built for 753 camera models across 10 brands, one per camera, all verified against the same master rendering.
  • LabThe 64-tool PRESETPRO LAB: film fades, grain by ISO, vignettes, and finishing tools.
  • ClassicBuilt for Lightroom Classic. The 6 RAW DCP looks are Lightroom Classic only, because Lightroom Cloud does not support third-party camera profiles.
  • CloudA dedicated Cloud Edition is included: the 18 universal looks and the full LAB, tested in the cloud version of Lightroom.
  • FilesUniversal looks work with JPEG and RAW photos; the RAW looks render through your camera’s own profile (RAW files, Lightroom Classic).
  • UpdatesInstant download after purchase, with free profile updates for the stock you own.
  • PlatformCompatible with Mac and PC desktops.
Before you buy

The 6 RAW looks are built on camera profiles (DCP), and the cloud version of Lightroom does not support third-party camera profiles, so those 6 looks are a Lightroom Classic feature. Your download also includes a dedicated Cloud Edition with the 18 universal looks and the complete 64-tool LAB for the cloud app.

The 24 looks

In Lightroom · 02 – FUJ – Astia 100F

24 looks, each with its matching preset.

06 · RAW looks

The 6 A100F raw looks render through a camera profile built for your exact camera (RAW files, Lightroom Classic).

  • A100F raw
  • A100F raw +
  • A100F raw ++
  • A100F raw +++
  • A100F raw – – – –
  • A100F raw – – – – –

18 · Universal looks

Work on every RAW and JPEG image with an Amount slider from 0 to 200. A100F, A100F nc and A100F vc, 6 looks each.

  • A100F
  • A100F +
  • A100F ++
  • A100F +++
  • A100F – – – –
  • A100F – – – – –
  • A100F nc
  • A100F nc +
  • A100F nc ++
  • A100F nc +++
  • A100F nc – – – –
  • A100F nc – – – – –
  • A100F vc
  • A100F vc +
  • A100F vc ++
  • A100F vc +++
  • A100F vc – – – –
  • A100F vc – – – – –

The 64-tool LAB

In Lightroom · 01 – PRESETPRO – LAB

Film fades, tone moves, grain by ISO, vignettes, and lens looks that stack on any look. Apply the preset first, then the profile: a preset always resets the profile to its own bundled choice.

Reset

  • RESET – All

Film

  • FILM – ISO 10
  • FILM – ISO 25
  • FILM – ISO 64
  • FILM – ISO 100
  • FILM – ISO 160
  • FILM – ISO 200
  • FILM – ISO 400
  • FILM – ISO 800
  • FILM – ISO 1600
  • FILM – ISO 3200

Adjust

  • ADJUST – Highs
  • ADJUST – Lows
  • ADJUST – Skin
  • ADJUST – Blue
  • ADJUST – Green

Tone

  • TONE – Classic
  • TONE – Analog
  • TONE – Chrome
  • TONE – Golden
  • TONE – Silver
  • TONE – Pastel

Add

  • ADD – Fade¹
  • ADD – Fade²
  • ADD – Fade³
  • ADD – Depth
  • ADD – Midtones
  • ADD – Highlights
  • ADD – Shadows

Sharpen

  • SHARPEN – Low
  • SHARPEN – Mid
  • SHARPEN – High

Lens

  • LENS – on
  • LENS – off

Grain

  • GRAIN – ISO 100 –
  • GRAIN – ISO 100 +
  • GRAIN – ISO 160 –
  • GRAIN – ISO 160 +
  • GRAIN – ISO 200 –
  • GRAIN – ISO 200 +
  • GRAIN – ISO 400 –
  • GRAIN – ISO 400 +
  • GRAIN – ISO 800 –
  • GRAIN – ISO 800 +
  • GRAIN – ISO 1600 –
  • GRAIN – ISO 1600 +
  • GRAIN – ISO 3200 –
  • GRAIN – ISO 3200 +

Vignette

  • VIGNETTE – 15
  • VIGNETTE – 25
  • VIGNETTE – 50
  • VIGNETTE – 75

Vignette lens

  • VIGNETTE lens – 15
  • VIGNETTE lens – 25
  • VIGNETTE lens – 50
  • VIGNETTE lens – 75

Frequently asked questions

Before you buy

01

Do the RAW looks work in Lightroom (the cloud version)?

No. The cloud version of Lightroom does not support third-party camera profiles, so the 6 A100F raw looks are a Lightroom Classic feature. Your download includes a dedicated Cloud Edition with the 18 universal looks and the complete 64-tool LAB, tested in the cloud app.

02

Why don’t I see the A100F raw looks on my photo?

They appear only when a RAW file from a supported camera is selected in Lightroom Classic. That is normal Lightroom behavior, not a broken install. On any other file, use the A100F, nc and vc rows.

03

Astia is a slide film. Does that change anything?

Not in how you use it: these are Lightroom profiles, so they render any RAW file from any camera in the list. What the slide heritage changes is the character. Astia was the softest and most subdued film in the Fujichrome line, built for skin and faithful color rather than punch, and the rendering follows that. If you want more color on a given frame, the vc rows and the LAB are there.

04

Do the looks work on JPEG files?

Yes. The 18 universal looks and the LAB work on every photo, including JPEG, with an Amount slider from 0 to 200. The 6 RAW looks need a RAW file, because they render through a camera profile built for your exact camera.

05

Does it work with my camera?

A100F includes profiles for 753 camera models across 10 brands: Canon, Nikon, Sony, Fujifilm, Panasonic, Olympus, Pentax, Leica, Hasselblad and Minolta, one profile for each camera. If your camera is newer than the current release, the universal looks still work on every photo, and profile updates are free for the stock you own.

06

What makes this different from a normal preset pack?

Most film presets apply one recipe on top of whatever profile your camera happens to load, so results vary from body to body. Every RAW Series camera profile is built individually for one camera model and verified against the same master rendering, 753 of them across 10 brands.

07

How do I install the RAW Series A100F?

Open Lightroom Classic, choose File > Import Develop Profiles & Presets, select the Lightroom Classic zip from your download, and restart Lightroom. A step-by-step install guide is included in the download.
RAW Series A100F

Instant download, then free profile updates for the stock you own.

New to film emulation? Read the complete film stock guide. Want to know how the profiles work? The DCP camera profiles guide.

Fujifilm, Fujichrome and Astia are the brands and trademarks of their respective holders. FUJIFILM Corporation does not endorse or sponsor this collection or any other content, and is not affiliated with Presetpro.com; all trademarks and copyrights are the exclusive property of their respective owners. Adobe®, Adobe® Lightroom® and Adobe® Camera Raw are either registered trademarks or trademarks of Adobe Inc. in the United States and/or other countries.

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